Wednesday, April 16, 2008

Meeting Minutes 04/13/08

SPARKPLUG 4/14/08 minutes (taken by Karen) There were 12 people in attendance : Jenny, Kathryn, Mike, Mark, Lisa, Deborah, Peter, Lea-Ann, Philip, B, Kofi & Karen
Agenda items were covered as follows AND PLEASE FEEL FREE TO RESPOND WITH QUESTIONS, CORRECTIONS OR CLARIFICATIONS –WE COVERED A LOT!:

1-introducing

We had one new prospective member attend the meeting. His name is Kofi Dofour and we will plan of having him do a short presentation of his work at the next meeting. In the meantime his website is http://kofidofour.com/splash.html

2-Slides “E32”

Lisa was kind enough to volunteer to take everyone’s images and burn them to a CD so Lea-Ann could take them home and work with ordering them – at this point we did not put a dead line on this.
• Lea-Ann will put them in a power point so we can all take a look at the presentation.
• Once the presentation is OK’ed Lisa will work on sizing the chosen images (and syncing the music choice),
• Karen or Kathryn need to go back through their emails and get the submission format requirements for resolution to E32 and send to Lisa,
• When we have uploaded to E32 we let Kathryn know so she can let her contact Linda Griggs know,

3-Sparkplug the exhibition

Lea-Ann will be contacting people in this first exhibition (Jenny, Kathryn, Mike, Mark, Lisa, Deborah, Peter, & Karen) to schedule studio visits to get a dialogue going about what work we should be bring for installation on 4/30. She will post these times as open studio times if others are available at the set times and want to participate in the studio visit.

Peter will work on formatting resumes, etc. for a gallery binder for the show. Please send him a resume and statement in Word ASAP so he has time to mock up everyone’s resumes in a similar format.

Karen will work on getting an email phone list distributed for this show so we can contact each other directly rather than through the group in the next two weeks. (You should have received this already) She should also be able to send you a pdf/html of the show postcard for you to send to your individual email lists between the 16th & 18th. Hard-copy postcards should be available the week of the 23rd. Stay tuned for more details on dealing getting hard-copy cards.

Once you have spoken with Lea-Ann make sure that you have the following information for all the works she has selected/suggested you bring to installation

Your name,
title of work
Medium
Dimensions h x w x d
Year

For all future projects – make sure you provide this information with any images that are collected!!!!

critical details as discussed:

Submit resume/statement for binder Sun., April 20
Drop off work and hang the show Wed./Thurs., April 30 & May 1
Opening Event - Fri., May 2
Learn-a-Palooza/Meet the Artists Sat., May 10 – 2 PM to 5:30 PM
Take down show remove work from gallery Sun., May 11 (After 7 PM)
Mon., May 12 (730 PM & after-this is also our next meeting day)

3-Learn-a-Palooza

link to last years Learn-A-Palooza http://www.learnapaloozadc.com/

It was agreed that the format of offering the three workshops we are brainstorming as 25 minutes classes in the following order would be preferable:
230 PM – materials show & tell
330 PM – stretching a canvas
430 PM - Now you want to frame it

If we get a good turn out this will leave us plenty of time to answer questions so we don’t run over out time limit. Right now we can still use the theater for the workshops. The gallery opens at 2 PM.

Lisa and Kathryn can help with set and break down and then assist in the gallery if people come to the meet the artist (though we need to clarify times for them as I don’t think either of them can stay the whole time). We need to be cleaned up and out of the theater by 5:30 PM.

Karen will work on getting the class descriptions posted to learn-a-palooza and the DCAC listserv and approach Utrecht for material donation. Hope to have an answer about that by the end of the month – if not we will need to get stretcher bars to fit in Mark’s 11” x 14” frame.

3-goals for goals

Cuisine des Artistes – is DCAC’s major fundraiser. This year it is on Wed., May 28.

There is more information on the dcartscenter.org website about how to participate. If volunteering artists services will not fit into your schedule please see if you can volunteer in some other way for the event: like help set-up, clean-up, sell memberships. Volunteers are critical to making this a success. Passing on information to people that might attend is also really important to expanding our membership.

3-ideas about ideas-in no particular order

a-Suggestions for the short term to get it ready for the show on the May 2: Post the html of the show card and details and make it link to the blog ASAP before the postcards go out.

Not ASAP but sooner rather than later - we talked about what we needed to add to the Sparkplug page of the DCAC website to more accurately reflect how far we’ve come. So far the belief is that focus, themes and discussions will change and ‘prospectives’ should feel comfortable with working in the collective for the duration of their interest (I think the idea here is along the lines that commitment is only required for ‘projects’ not for participation-does that sound right?)

Participation in the monthly meetings was critical to motivating projects and the artists & curators that were participating so far would welcome anyone that makes the effort to ‘be there’. It is this sharing of experience and idea and being able to lend you individual skills at what you are good that is making this venture collective and a much greater motivating factor than just being a ‘member of a group’.

In general making the blog public was Ok with everyone. Adding a list of shows or some kind of group resume to the blog was suggested that lists the projects we complete. Karen will work from her notes from this discussion to draft something for dcartscenter.org/sparkplug. Be on the lookout to respond with comments to the ‘updated description’ that she will send out on the Google group.

b-curatorial development. Lea-Ann noted that at the first meeting at Bedrock Billiards A LOT of curators showed up and that perhaps we needed to comb through the list and work at re inviting these people to try coming to the set meeting times and get involved in the dialogue. DO we need to also try to develop in the area of writing too?

c-In the future if we want new people to come – we may have to strike doing so much administrative business at the monthly meeting and set secondary meeting times or REALLY use the web & phone ….

4~ACTION!

-Make sure you get in touch and set up your studio visit with Lea-Ann
-Make sure your schedule is clear AT NIGHT in the 30th & 1st so you can help out with the installation – keep both days free in case we can’t hang everything Lea-Ann chooses you will need to get it out of the space on Thursday nite
-Make sure that you come to DCAC with all the price list info-title dimension, etc….
-make sure that you can or arrange for someone else to pick up your works for De0install on May 11 or 12 (we will do our regular meet up on the 12th, 730 PM)

5-Agenda Items for next meeting

The next meeting is planned for Monday, May 12 at 7:30 PM
at the DCAC gallery

~De-Install works from the show that ends on May 11
~Kofi Dofour will present
~hopefully see a draft of the E32 presentation in power point
~plan summer meetings
~ALWAYS ALWAYS feel free to email me anything else you want to talk about or think needs to be added to the next meetings agenda-AND ANYTHING I MAY HAVE FORGOT!

Saturday, April 5, 2008

Next Meeting Sunday April 13, 700 PM at DCAC

Hello - Next meeting is planned for Sunday April 13, 700 PM at DCAC, probably in the gallery.

Agenda

1-Get to work loading up people’s chosen work and formatting the presentation for E32. If Lea-Ann has not already contacted you she hopes to get to everyone by Wed., 4/9. Bring the absolutely highest resolution of the image(s) chosen; and hopefully we will be able to work out the sizing of our images for E32 as a group.

2-Talk about what is underpinning the choices of the photos in order that we all have something to bring to the show installation at DCAC on Wed., 4/30. As mentioned earlier it is likely that some of us may not have the exact works available that get chosen for E32 because the work is sold or destroyed or not printed or what-have-you.…
To recall last meetings discussion there are two major tangents that I remember: 1- entropy, 2-place.

en·tro·py, noun
1. a measure of the disorder that exists in a system
2. a measure of the energy in a system or process that is unavailable to do work. Symbol S
3. a measure of the random errors (noise) occurring in the transmission of signals, and from this a measure of the efficiency of transmission systems

Encarta® World English Dictionary © 1999 Microsoft Corporation. All rights reserved. Developed for Microsoft by Bloomsbury Publishing Plc.

After looking at the definition of entropy, I think that although our discussion of ‘place’ focused on our experience of place as “Washington, DC” I think we all may start thinking about what guides the choice of works we can bring to install as:

1-entropy 2-place 3-systems.

These three words seem like more than enough to get people started.

3- thanks to Peter for volunteering to format a binder for this show – in the future we will want to make sure we keep this up as an electronic file available at DCAC too. I sent out a deadline of 4/25 to have information (A resume and a one to two paragraph statement) to Peter by, but as always the sooner the better. This is Peter's email: pgordon78@yahoo.com


4-Discuss Learn-A-Palooza. We communicated our short meeting about this event and the ideas for the three classes in another post. We will want to nail down the details like times and schedules at this meeting.

In order to post the classes on the Learn-a-Palooza website, have printed info available at the May 2 opening and get the event of the DCAC listserv I need the blurbs as soon as possible (definitely no later that April 15 for the blurbs-if I can get them before the meeting, even better) and canvas stretching and framing sizes (ASAP).

I’m working on developing a materials list to try and get donations from Utrecht but that is not a done deal yet– so if you have something in your studio that you are not going to use and want to bring it on 4/13 to donate, give me a heads up in an email about what it is. karenjoan@gmail.com


3-ideas about ideas 
(which I seem to be monopolizing this month)

a-I have some updates concerning the past month or so at DCAC. What brought on my card mock up that is posted on the blog and DCAC’s Cuisine des Artistes upcoming fundraiser and how you can help.

b-my experience at the conference in NYC and some ideas or opportunities that could be pursued in the future,

c-there are at least 3 new people that have requested to join the list serve, have asked me questions and are looking at our posts. I hope to see them at the upcoming meeting.

d-as this first exhibit gets off the ground, we by default will begin to form a particular public identity for DCAC’s Sparkplug. I urge you to look at the Sparkplug tab on the DC Arts Center website http://dcartscenter.org/sparkplug.htm and think about the specific aspects of the experience so far, what we have contributed to this discussion and where we want to go.


4-goals for goals

a-discuss curatorial development, where do we find more idea people to help craft shows and statements, etc. as well as give fresh perspectives from non-artists perspective and how do we entice them to like us?

Email me any additions you'd like to see on the agenda, any questions or corrections. karenjoan@gmail.com

What is DCAC's Sparkplug?

Currently composed of eight DC area artists and curators, DCAC's SPARKPLUG meets regularly to discuss their work, explore common concerns, grow their community and dream up creative engagements both in DC and around the world. Through its support of Sparkplug, DC Arts Center provides meeting space, legal and technical resources and exhibition opportunities to emerging artists, curators and arts writers without current gallery representation or institutional employ. Via a continuing dialogue encompassing the theoretical and the practical, the group’s members share experiences, perspectives, preoccupations, challenges, and topics informing their ongoing artistic practice.



The goal of DCAC's SPARKPLUG is to identify superior artists, curators and arts writers without current gallery representation or institutional employ, provide an environment to help foster their development, provide legal, technical and other resources, and provide opportunities for them to exhibit both in DC and around the country.



DCAC's SPARKPLUG will actively seek its membership from all communities in the Washington, DC region with the goal of bringing together emerging artists and curators with a broad range of backgrounds and experiences, a diversity of professional preoccupations and creative visions.