This information came to me thru Lea-Ann while hanging the Sparkplug show - and I realized what a great resource it was - hard to find discussion of it anywhere out side the gallery system. It gives good reason to burn & complete these things before you exhibit them. This all made more sense when it was in someone elses words. Thanks!
pricing artists DVD's for sale
AP (Artist Proof) would be priced the highest. For future knowledge, the number of APs in an edition is contingent upon how many copies make up the edition. There should only be one AP for every third of the edition. If there is an edition of three so that means 1 AP. If there is an edition of 10--you would have 3 APs.
Showing posts with label Advice. Show all posts
Showing posts with label Advice. Show all posts
Friday, May 9, 2008
SPARKPLUG at Learnapalooza 2008 Saturday, May 10th
Hope you're planning to join us this Saturday for Learnapalooza DC
2008! Check out this awesome selection of workshops at DCAC:
http://www.dcartscenter.org/sparkplug.htm
SPARKPLUG at Learnapalooza 2008
Artist Materials 101: 2:30 PM to 3:00 PM taught by artist, Jenny
Walton
This short demonstration will take you through materials that artists
have traditionally used up to today's vast variety of widely available
media. We will explore the transition from dirt to paint and
everything in between, focusing on the genres of drawing and painting.
*Black and white
Graphite & Charcoal, Differences between each, how are they made
Inks: Sumi and India
Commercial – traditional vs. modern (natural and synthetic)
*Color pigment – what is it and where does it come from?
Natural vs. synthetic
How does it get mixed to create different mediums
Watercolor, Gouache, Oils, Acrylics, Pastels
*Paper - Small history lesson on papermaking
Examples today’s vast variety
Usage
Eastern vs. western methods
*Painting Grounds
Canvas vs. linen painting
Stretching Your Own Canvas: 3:30 PM to 4:00 PM taught by artist, Peter
Gordon
This demonstration (with a handout) will give people the knowledge to
stretch their own painting canvases in order to save them money and
increase their sense of ownership using a three step demonstration so
people can see the process first hand before attempting in their own
studios.
Demonstration supplies:
• Unprimed canvas (3 pieces, roughly 14-17 inches each)
• Stretcher bars (six 11 inch/ six 14 inch length bars)
• Canvas pliers (1)
• Staple gun (1)
• staples (plenty!!!).
Framing Tips: 4:30 PM to 5:00 PM taught by artist and museum
preparator, Mark Planisek
In this demonstration the canvas that was stretched in the earlier
class is placed in a widely available standard size commercial frame.
Students will get pointers on the different fasteners that can be used
to hold the canvas in the frame, how to wrap a professional picture
wire, when to use D-rings and what kind of hanging nail to use with
each hanging mechanism.
Plus 60 more, learn Mandarin, Improv, Meditation, Juggling, Yoga,
Capoeira, Photoshop, Photography, Pool, and dozens of other things...
all for free.
. l
http://learnapaloozadc.com/workshops/list
AND... AFTER THE WORKSHOPS, LET'S MEET UP FOR DRINKS!
Learnapalooza After-Party
7-10 PM, Saturday May 10th
Local 16 (1602 U St NW)
$4 Learnapalooza drink specials
See you there!
P.S. If you want to help out, email i...@learnapaloozadc.com. We need
volunteers Friday evening 6-8PM and Saturday all day.
2008! Check out this awesome selection of workshops at DCAC:
http://www.dcartscenter.org/sparkplug.htm
SPARKPLUG at Learnapalooza 2008
Artist Materials 101: 2:30 PM to 3:00 PM taught by artist, Jenny
Walton
This short demonstration will take you through materials that artists
have traditionally used up to today's vast variety of widely available
media. We will explore the transition from dirt to paint and
everything in between, focusing on the genres of drawing and painting.
*Black and white
Graphite & Charcoal, Differences between each, how are they made
Inks: Sumi and India
Commercial – traditional vs. modern (natural and synthetic)
*Color pigment – what is it and where does it come from?
Natural vs. synthetic
How does it get mixed to create different mediums
Watercolor, Gouache, Oils, Acrylics, Pastels
*Paper - Small history lesson on papermaking
Examples today’s vast variety
Usage
Eastern vs. western methods
*Painting Grounds
Canvas vs. linen painting
Stretching Your Own Canvas: 3:30 PM to 4:00 PM taught by artist, Peter
Gordon
This demonstration (with a handout) will give people the knowledge to
stretch their own painting canvases in order to save them money and
increase their sense of ownership using a three step demonstration so
people can see the process first hand before attempting in their own
studios.
Demonstration supplies:
• Unprimed canvas (3 pieces, roughly 14-17 inches each)
• Stretcher bars (six 11 inch/ six 14 inch length bars)
• Canvas pliers (1)
• Staple gun (1)
• staples (plenty!!!).
Framing Tips: 4:30 PM to 5:00 PM taught by artist and museum
preparator, Mark Planisek
In this demonstration the canvas that was stretched in the earlier
class is placed in a widely available standard size commercial frame.
Students will get pointers on the different fasteners that can be used
to hold the canvas in the frame, how to wrap a professional picture
wire, when to use D-rings and what kind of hanging nail to use with
each hanging mechanism.
Plus 60 more, learn Mandarin, Improv, Meditation, Juggling, Yoga,
Capoeira, Photoshop, Photography, Pool, and dozens of other things...
all for free.
. l
http://learnapaloozadc.com/workshops/list
AND... AFTER THE WORKSHOPS, LET'S MEET UP FOR DRINKS!
Learnapalooza After-Party
7-10 PM, Saturday May 10th
Local 16 (1602 U St NW)
$4 Learnapalooza drink specials
See you there!
P.S. If you want to help out, email i...@learnapaloozadc.com. We need
volunteers Friday evening 6-8PM and Saturday all day.
Labels:
Advice,
History,
Members,
Opportunities,
Social
Thursday, January 31, 2008
artadvice.com
For discusions sake, regarding the 'practicalities' of our chosen career path (which we all seem to like to talk about), this is an good list serve to join: artadvice.com. Not rocket science, or spam (she only posts once every 3 months or so) just usually practical, dorky reminder, self-help type stuff, like this article: 5 facts artists need to face. The article can be found online at: http://www.artadvice.com/advice/article30.php
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What is DCAC's Sparkplug?
Currently composed of eight DC area artists and curators, DCAC's SPARKPLUG meets regularly to discuss their work, explore common concerns, grow their community and dream up creative engagements both in DC and around the world. Through its support of Sparkplug, DC Arts Center provides meeting space, legal and technical resources and exhibition opportunities to emerging artists, curators and arts writers without current gallery representation or institutional employ. Via a continuing dialogue encompassing the theoretical and the practical, the group’s members share experiences, perspectives, preoccupations, challenges, and topics informing their ongoing artistic practice.
The goal of DCAC's SPARKPLUG is to identify superior artists, curators and arts writers without current gallery representation or institutional employ, provide an environment to help foster their development, provide legal, technical and other resources, and provide opportunities for them to exhibit both in DC and around the country.
DCAC's SPARKPLUG will actively seek its membership from all communities in the Washington, DC region with the goal of bringing together emerging artists and curators with a broad range of backgrounds and experiences, a diversity of professional preoccupations and creative visions.
The goal of DCAC's SPARKPLUG is to identify superior artists, curators and arts writers without current gallery representation or institutional employ, provide an environment to help foster their development, provide legal, technical and other resources, and provide opportunities for them to exhibit both in DC and around the country.
DCAC's SPARKPLUG will actively seek its membership from all communities in the Washington, DC region with the goal of bringing together emerging artists and curators with a broad range of backgrounds and experiences, a diversity of professional preoccupations and creative visions.