Showing posts with label Show Ideas. Show all posts
Showing posts with label Show Ideas. Show all posts
Tuesday, September 16, 2008
About entropy.
What I am really interested in, and what I am so powerfully impacted by as a theme that unites Sparkplug members’ work, is not the phenomenon of entropy itself, but the fight against/resistance to/defiance of entropy and stasis that drives the art making process, and – more broadly – is a causal agent in dreaming up and enacting any kind of change to one’s environment. The contra-entropic impulse, if you will. One dictionary definition of entropy is “the degradation of the matter and energy in the universe to an ultimate state of inert uniformity” – i.e. the chaos and degradation all organisms and systems tend towards when no additional attention or oppositional energy is directed their way. But even artworks that appear at first to brim over with unbridled, noisy, surplus or even accidental energy and information (that is, lots of entropy!) have definite and deliberate organizing principles and patterns. These stratagems and motifs were put into play during their creation, and continue to evolve through viewers’ deepening engagements with the work over time.
Saturday, May 3, 2008
Tuesday, March 11, 2008
SPARKPLUG 3/10/08 minutes
SPARKPLUG 3/10/08 minutes (taken by Karen) There were 9 people in attendance : Jenny, Kathryn, Mike, Mark, Lisa, Deborah, Peter, Lea Ann & Karen
Agenda items were covered as follows:
1-presentations
Everyone that came to the meeting managed to get a number of images loaded into the flickr group – We let it run as a slide show on projection as we discussed the similarities; focusing largely on Lea Ann’s observation of a commonality of “subtle entropy” in the theme, execution or process of all of the work, regardless of the style. This is the crux of how the curatorial aspect for this particular curated slide set all inclusions will come from this recently posted group of work. Lea is going to work on a “slide list” indicating which photos she is selecting and will try to have that to each of us by the beginning of next week.
Hopefully by the time she makes the decisions known to us, we will have communicated with Linda Griggs at E32 to check what technical requirements there are for the jpgs. In short though we should all plan to bring CD’s of the photos Lea selects-we will download all of them at next meeting to one computer then work on getting the presentation in whatever format it needs to be sent to E32 in. Downloading the photos at the meeting will also serve as the MASTER file for any other opportunity we may have to present this work.
2-Slides “The Show”
An unexpected opportunity to use the gallery for a Sparkplug Exhibition has arisen in May. It would only be for a two week slot, but there seemed to be a general consensus that in developing and preparing for the E32 submission we could also test out the developing theme in the gallery.
We will be hashing out the logistical and curatorial details over the coming weeks, but the critical details will not change.
Drop off work and hang the show Tues./Wed., April 29 & 30
Opening Event - Fri., May 2
Learn-a-Palooza Sat., May 10
Take down show remove work from gallery Sun., May 11 (After 7 PM)
Mon., May 12 (until 5 PM)
3-Learn-a-Palooza
Here is the link to last years Learn-A-Palooza.
http://www.learnapaloozadc.com/
I (Karen) talked more about my experience last year and the different approaches we could take to participating. Given that this event would occur during the period that we would have our work in the gallery we could schedule gallery talks or talk about Sparkplug; we could get on the schedule and look for other instructors to do art related classes and just serve as hosts, individually we can work on developing classes.
Peter’s suggestion of showing “how to stretch a canvas” was a great idea. I’ve already elaborated in an earlier email about “painting show & tell”. In my experience last year – do not underestimate your potential to teach something small or simple.
Here is last year’s organizer that will give more info on how to think about being a teacher
http://wiki.learnapaloozadc.com/index.php?title=FAQ
Last years rules of participation were as below and I am guessing they will be very similar this year:
• classes are on April 28, between 10AM and 6PM
• classes must start on the hour or half-hour
• they must be 25 or 55 min long
• they must be free and open to the public
As about 1/3 to ½ of us were engaged in other activities between now & April 1 - we will try to have a mini-brainstorming meeting just on Learn-a-Palooza for those who are interested or available to help sometime in the last week of March or first week of April – more details later.
3-goals for goals
none come to mind that are not related to the above two items
3-ideas about ideas-in no particular order
none come to mind that are not related to the above two items
Except for fact there was a lot of interesting things said relative, tangentially and in support of Lea’s bringing up tension, place and entropy as a theme. I don’t have time to put them down but think this would be a completely appropriate topic to try and capture what many of you said by going on the blog and posting about the other things we brought up when discussing the slide project.
4~ACTION!
Lea presents us with a preliminary slide list so we can all get out highest resolution images ready to bring to the meeting on CD’s or thumb drives.
Plan a mini-meet-up to see if it is of interest to develop anything for Learn-A-Palooza
5-Agenda Items for next meeting
The next meeting is planned for Sunday, April 13 at 7:00 PM
at the DCAC gallery
~bring photo files for download
~go over curatorial statement and set schedule for any extra PR that we want other than the DCAC weekly list serve news letter
~get specific commitments from people for the exhibition and Learn-a-Palooza
~Ideas about ideas
~Goals for goals
~ALWAYS ALWAYS feel free to email me anything else you want to talk about or think needs to be added to the next meetings agenda-AND ANYTHING I MAY HAVE FORGOT-I am too sleepy today!
Agenda items were covered as follows:
1-presentations
Everyone that came to the meeting managed to get a number of images loaded into the flickr group – We let it run as a slide show on projection as we discussed the similarities; focusing largely on Lea Ann’s observation of a commonality of “subtle entropy” in the theme, execution or process of all of the work, regardless of the style. This is the crux of how the curatorial aspect for this particular curated slide set all inclusions will come from this recently posted group of work. Lea is going to work on a “slide list” indicating which photos she is selecting and will try to have that to each of us by the beginning of next week.
Hopefully by the time she makes the decisions known to us, we will have communicated with Linda Griggs at E32 to check what technical requirements there are for the jpgs. In short though we should all plan to bring CD’s of the photos Lea selects-we will download all of them at next meeting to one computer then work on getting the presentation in whatever format it needs to be sent to E32 in. Downloading the photos at the meeting will also serve as the MASTER file for any other opportunity we may have to present this work.
2-Slides “The Show”
An unexpected opportunity to use the gallery for a Sparkplug Exhibition has arisen in May. It would only be for a two week slot, but there seemed to be a general consensus that in developing and preparing for the E32 submission we could also test out the developing theme in the gallery.
We will be hashing out the logistical and curatorial details over the coming weeks, but the critical details will not change.
Drop off work and hang the show Tues./Wed., April 29 & 30
Opening Event - Fri., May 2
Learn-a-Palooza Sat., May 10
Take down show remove work from gallery Sun., May 11 (After 7 PM)
Mon., May 12 (until 5 PM)
3-Learn-a-Palooza
Here is the link to last years Learn-A-Palooza.
http://www.learnapaloozadc.com/
I (Karen) talked more about my experience last year and the different approaches we could take to participating. Given that this event would occur during the period that we would have our work in the gallery we could schedule gallery talks or talk about Sparkplug; we could get on the schedule and look for other instructors to do art related classes and just serve as hosts, individually we can work on developing classes.
Peter’s suggestion of showing “how to stretch a canvas” was a great idea. I’ve already elaborated in an earlier email about “painting show & tell”. In my experience last year – do not underestimate your potential to teach something small or simple.
Here is last year’s organizer that will give more info on how to think about being a teacher
http://wiki.learnapaloozadc.com/index.php?title=FAQ
Last years rules of participation were as below and I am guessing they will be very similar this year:
• classes are on April 28, between 10AM and 6PM
• classes must start on the hour or half-hour
• they must be 25 or 55 min long
• they must be free and open to the public
As about 1/3 to ½ of us were engaged in other activities between now & April 1 - we will try to have a mini-brainstorming meeting just on Learn-a-Palooza for those who are interested or available to help sometime in the last week of March or first week of April – more details later.
3-goals for goals
none come to mind that are not related to the above two items
3-ideas about ideas-in no particular order
none come to mind that are not related to the above two items
Except for fact there was a lot of interesting things said relative, tangentially and in support of Lea’s bringing up tension, place and entropy as a theme. I don’t have time to put them down but think this would be a completely appropriate topic to try and capture what many of you said by going on the blog and posting about the other things we brought up when discussing the slide project.
4~ACTION!
Lea presents us with a preliminary slide list so we can all get out highest resolution images ready to bring to the meeting on CD’s or thumb drives.
Plan a mini-meet-up to see if it is of interest to develop anything for Learn-A-Palooza
5-Agenda Items for next meeting
The next meeting is planned for Sunday, April 13 at 7:00 PM
at the DCAC gallery
~bring photo files for download
~go over curatorial statement and set schedule for any extra PR that we want other than the DCAC weekly list serve news letter
~get specific commitments from people for the exhibition and Learn-a-Palooza
~Ideas about ideas
~Goals for goals
~ALWAYS ALWAYS feel free to email me anything else you want to talk about or think needs to be added to the next meetings agenda-AND ANYTHING I MAY HAVE FORGOT-I am too sleepy today!
Friday, February 29, 2008
Check out this page at NewMuseum.org:
http://www.newmuseum.org/events/139
Night School is an artist's project by Anton Vidokle in the form of a temporary school. A yearlong program of monthly seminars and workshops, Night School draws upon a group of local and international artists, writers, and theorists to conceptualize and conduct the program.
I look at this program at the New Museum and I am in awe. My love of the NewMuseum in NYC and my experience in Philly at the ICA (Institute of Contemporary Art)which I am also in heart with are showing me that part of DC's problem when it comes to Art is that there is no reasonably sized privately funded art venue. The Katzen could become it- but it's not quite that yet.
The depth with which the TNM & ICA plumb their communities for shows and ideas and enrichment is staggering. The federal museums are trying, but so long as local art shown at these venues are spread out it seems like exceptional local art will always seem like "tokenism" to any outsider.
The big money person that realized they could come into DC and start building a private or NGP/NFP venue like the institutions I mentioned in Philly & NYC may have an uphill battle - but so did the New Museum and the ICA when they first opened if anyone that reads this has kept track. Something to think about and proselytize for.
http://www.newmuseum.org/events/139
Night School is an artist's project by Anton Vidokle in the form of a temporary school. A yearlong program of monthly seminars and workshops, Night School draws upon a group of local and international artists, writers, and theorists to conceptualize and conduct the program.
I look at this program at the New Museum and I am in awe. My love of the NewMuseum in NYC and my experience in Philly at the ICA (Institute of Contemporary Art)which I am also in heart with are showing me that part of DC's problem when it comes to Art is that there is no reasonably sized privately funded art venue. The Katzen could become it- but it's not quite that yet.
The depth with which the TNM & ICA plumb their communities for shows and ideas and enrichment is staggering. The federal museums are trying, but so long as local art shown at these venues are spread out it seems like exceptional local art will always seem like "tokenism" to any outsider.
The big money person that realized they could come into DC and start building a private or NGP/NFP venue like the institutions I mentioned in Philly & NYC may have an uphill battle - but so did the New Museum and the ICA when they first opened if anyone that reads this has kept track. Something to think about and proselytize for.
Friday, November 30, 2007
Local Artists Paint the Town RED for World AIDS Day
For the 20th Anniversary of World AIDS Day, local artists including myself will paint Baltimore red on Saturday, December 1st as they showcase their artwork highlighting the AIDS epidemic impacting communities.Organized by Authentic Art Consulting and the ThickArt Collaborative, the opening ceremony will be held at Peace and a Cup of Joe Cafe at 713 W. Pratt Street starting from 3-7pm.
"With a passion to bring awareness and action on public health issues, I founded a DC-based nonprofit, Creative Cause, to develop creative campaigns for change to engage the community to become a part of a movement," stated Tambra Stevenson, artist and founder of Creative Cause.
So for HIV/AIDS awareness, the campaign is called Plant HOPE, which stands for HIV Outreach is a Pathway to Empowerment.
At the event, Creative Cause will have materials for visitors to make their own artistic postcards of hope in memory of a loved one to become a part of Plant HOPE.
"Initially when I created Plant HOPE it began with the focus of planting hope in ourselves and then in the community," said Stevenson. "So to me, hope has many meanings such as helping other people everyday. I dedicated Plant HOPE to my dad who was a humanitarian and always helping people as a firefighter."
Stevenson, a self-proclaimed suppressed artist now emerging, has recognized for using art to highlight health and environmental issues since a teen in Oklahoma. She is a graduate of Tufts University School of Medicine/Emerson College joint program in Health Communication program and is the creator of Postcards from Katrina.
Support and learn more about Creative Cause at www.creativecause.org and Plant HOPE at www.planthope.org. Email questions and comments to info@creativecause.org.
THE EXHIBIT:
REDArtists Lifting One Voice in One Common Thread
December 1, 2007 - January 11, 2008
RED is a visual exhibition of original artwork expressing the hopes, fears, experiences dreams about the struggle with HIV/AIDS epidemic in this country and around the world. A portion of the sales of artwork for this event will be donated to CARE' s I AM POWERFUL Campaign's HIV/AIDS Program and the Art Therapy program at the Institute of Human Virology at the University of Maryland Medical Center.
The exhibition will feature art from over 20 local artists who were invited to visually express through original artwork their hopes, fears, experiences and dreams about the struggle with HIV/AIDS epidemic in the United States and around the world. All artwork is available for sale. Patients in the Art Therapy program at the Institute of Human Virology have been invited to display their art as well
The opening reception will also feature an opportunity for guests to make their own postcards to express their thoughts, hopes, dreams about HIV/AIDS or to honor a loved one who may have died from AIDS, courtesy of Creative Cause, a DC-based organization that creates campaigns for causes that change communities for good.
Participating Artists include:
Lola Akinmade
Prudence Bonds
Sharon J. Burton
Kiesha Carroll
Patsy Cline
Cynthia Johnson
Ebony Johnson
Jennifer Judelsohn
Tina Lassiter
Paul Longanbach
Michelle d. Parrish
Marina Reiter
Aurora Rosselli
Michael Stebbins
Luba Sterlikova
Nora Stinley
Schonda Sweeney
Tanekeya Word
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